"We seldom get into trouble when we speak softly. It is only when we raise our voices that the sparks fly and tiny molehills become great mountains of contention."
Everything I Need to Know I Learned in Piano Lessons, Part 3
by Emily S. Jorgensen
Lesson
3: You can lead a piano student to the bench, but you can’t
make him play.
There
are a bagillion well-meaning parents out there who want what is best
for their children. And a goodly portion of those seem to include
learning to play the piano as one of those things.
I
have heard parents explain they want their children to have that
opportunity because they didn’t have it; I have seen parents
put their children in piano to keep up with the Joneses; I have
talked to parents who enjoyed piano themselves and so want that for
their children; I have known parents who regret so much that they
quit piano that they will not allow their children to do the same, no
matter what.
I
even know one parent who made her child sign a contract that the
child in question would never blame the mother for the child’s
choice to quit piano (this contract was entered into after many, many
fruitless fights over the issue).
Because
of the myriad reasons parents choose to place their children in piano
lessons, I have seen countless battles, showdowns, and power plays
revolving around piano practice and lessons. I have learned there are
some battles you can’t win as a parent. I have learned there
are some battles that are worth fighting. And, I have learned there
are some that are not.
I,
myself, gave my mother several well-earned gray hairs in the piano
lesson arena. I finally pitched enough fits by seventh grade that she
relented and let me quit. Luckily for me, I realized after a few
piano-less months that I loved it, and I missed it, and it did not
need to be a battle with my mother.
So,
I asked her if I could please take piano lessons again, on one
condition: I wanted to choose the teacher.
I
chose a teacher who was a humble, sweet man, whom I now recognize was
not a well-qualified teacher. I think he had minored in music in
college for a little while, and life had led him to the point that he
was trying to make a living for his family by cobbling together
several part-time jobs, one of which was teaching piano lessons at a
local music store.
He
gave me a gift that would shape the rest of my life and career —
he let me choose what music I learned. One month that was a Haydn
rondo alongside Bette Middler’s “Wind Beneath My Wings.”
Another month it was the first movement of a Mozart sonata and
“Memory” from the musical Cats.
After
nearly two years of lessons with him, he suggested I learn Debussy’s
Clair
de Lune.
After I played it all the way through one day with marginal success,
he said to me, “That’s the hardest piece I know. You need
to find a new teacher.” I cried.
With
him I had really enjoyed music again. I felt successful; I knew I was
learning these songs because I wanted to and not because someone else
was making me.
This
time, when we went piano-teacher shopping we found a highly qualified
teacher with a doctorate in music. I flourished and went on to earn
two degrees in music.
Obviously,
not every student will or should make a career out of music. A great
deal of personal enrichment and opportunities to serve others can
come from even a modest amount of musical education. Parents know
this, and most of the parents I work with do not expect their
children to become concert pianists. However, if they are being
really honest, nearly all of them do have some type of expectation
that their child will reach a level of success in piano that they
value.
And
so, it is always with a healthy dose of such feelings as anxiety,
dashed hopes, frustration, powerlessness, or even hurt that they ask
me this question, “Do you think I should let her quit?”
Not
all parents come to this crisis, of course, but those that do nearly
always hit it when their child is 13.
My
answer is entirely dependent on the individual child.
Young
teenagers know enough about life to grasp that their choices have
consequences, and that some of them can be far-reaching. However,
they are nowhere near mature enough to really understand all the
ramifications of their choices. That’s the biggest reason they
still need parents at that age.
They
aren’t likely to accidentally poison themselves as a toddler
may; they can fix their own food (though it may not be healthy); they
are even physically able to do meaningful work, and could
theoretically fend for themselves in many ways. But they still lack
the wisdom requisite to make alone the choices that could affect them
for the rest of their lives.
However,
and here is the sticking point — they will never learn how to
make those type of choices until they are given the opportunity to
make them.
So,
at what point do we push what we know is good for them, and at what
point do we let them make the mistake?
In
my work, when a child is clearly talented (and I believe this is just
a stage of development they are going through), I recommend the
parent stick it out, and the child will likely grow out of this
desire to quit. I have seen that happen many times.
However,
when the child is obviously much more interested in other things, and
is talented at those other things, I ask the parent to consider why
exactly they want the child to continue lessons. Is it for the child
or for them?
Honestly,
if quitting piano lessons (or football or dropping out of honors
classes) is the mistake a child makes that teaches them about regret
and long-term consequences, then a parent is pretty lucky. There are
much more difficult ways to learn that lesson.
At
some point, being a good parent means realizing when it is not
the moment to parent. At some point it is the moment to let them gain
their own wisdom, even if it is the hard way.
It
is always the moment, however, to love them. Even when they don’t
measure up to our expectations and hopes — in fact, maybe
especially when they don’t.
Emily
Jorgensen received her bachelor's degree in piano performance from
Brigham Young University. She earned her master's degree in
elementary music education, also at BYU. She holds a Kodaly
certificate in choral education, as well as permanent certification
in piano from Music Teacher’s National Association.
She
has taught piano, solfege, and children’s music classes for 17
years in her own studio. She has also taught group piano classes at
BYU.
She
is an active adjudicator throughout the Wasatch Front and has served
in local, regional, and state positions Utah Music Teachers'
Association, as well as the Inspirations arts contest chair at
Freedom Academy.
She
gets a lot of her inspiration for her column by parenting her own
rambunctious four children, aged from “in diapers” to
“into Harry Potter.” She is still married to her high
school sweetheart and serves in her ward’s Primary.