"We seldom get into trouble when we speak softly. It is only when we raise our voices that the sparks fly and tiny molehills become great mountains of contention."
Monsters University: Pixar Takes Us Back To School
by Andrew E. Lindsay
It
seems the only question about new Pixar movies is whether they will
be successful, wildly successful, or insanely successful.
Although
it’s certainly true that plenty of really good movies never see
enormous money at the box office (for a number of reasons), it is
almost never true that truly awful movies have enormous paydays.
The
reason is that while some folks may get suckered into seeing a new
release based on marketing hype, if it’s a stinker, they won’t
be back to see it again. Nor will they buy the DVD. And they’ll
make sure their friends don’t waste their money, either.
So
while box office receipts don’t provide all the information,
it’s a pretty safe bet that an animated film that has grossed
over a quarter of a billion dollars so far has got more than a few
things going for it.
Monsters
University
is a prequel to Monsters,
Inc.
(2001), and it gives us a peak at the roots of the relationship
between Mike Wazowski and James P. “Sulley” Sullivan.
Turns out, they weren’t always the very best of pals. In fact,
they couldn’t stand each other when they first met at college.
Mike,
as a six-year-old monster, goes on a school field trip to Monsters
Inc. and, after watching a professional scarer at work, decides he
has found his life’s calling. Despite his small stature and
overall lack of scariness, Mike pursues his dream and ultimately
enrolls in the scare program at Monsters University.
On
the first day of class, Mike’s hard-earned knowledge and
enthusiasm are overshadowed by a rather imposing, large, blue monster
named Sully. Sully’s arrogance is fueled by his size and his
pedigree, since he comes from a long line of scarers.
The
two mismatched monsters do not see eye-to-eye (er, eye-to-eyes? See,
that’s funny because Mike only has
one eye, but Sully has two. Never
mind.).
As
is usually the case with prequels, we know how it’s eventually
going to work out, because we’ve already seen the original
movie. What we don’t know is how
they work it out, and that’s what makes a good prequel fun. And
this is a very good prequel.
As
with all Pixar films, Monsters
University
is full of solid storytelling with virtually no fluff or fillers.
Multi-faceted characters are fleshed out in interesting ways, and we
truly care about them.
As
a result, we want to root for them and cheer them on, even if they
fail miserably. Good storytelling applauds effort over results, and
honest responses from characters help suspend disbelief, even in the
face of unbelievable situations.
This
is a family-friendly film through-and-through, full of laughs and
funny scenes. There is some drama and suspense, but nothing so
terrifying that a youngster couldn’t cope with it, especially
if they’re sitting next to Mom or Dad. And there are some great
lessons taught about friendship and loyalty and choices and
consequences.
Make
sure you stick around and enjoy the credits; they’re full of
little graphic gags that are well-worth watching as the legion of
names rolls past. And, if you stick it out all the way to the very,
very end, you get the payoff to a joke setup much earlier in the
movie.
Bottom
line: watch this film. The folks at Pixar, as per usual, have put
together a virtual advanced course in effective storytelling. No
all-night cramming for exams or cold pizza for breakfast required,
just enroll your family in a 104-minute
correspondence course offered exclusively from Monsters
University.
Andy Lindsay can frequently be overheard engaged in conversations that consist entirely of repeating lines of dialogue from movies, a genetic disorder he has passed on to his four children and one which his wife tolerates but rarely understands. When Andy's not watching a movie he's probably talking about a movie or thinking about a movie.
Or, because his family likes to eat on a somewhat regular basis, he just might be working on producing a TV commercial or a documentary or a corporate video or a short film. His production company is Barking Shark Creative, and you can check out his work here www.barkingshark.com.
Andy grew up in Frederick, Maryland, but migrated south to North Carolina where he met his wife, Deborah, who wasn't his wife then but later agreed to take the job. Their children were all born and raised in Greensboro, but are in various stages of growing up and running away.
Andy (or Anziano Lindsay, as he was known then) served a full-time mission for the Church in Italy, and today he teaches Sunday School, works with the Scouts, and is the Stake Video Historian.