Pixar released its first feature-length film, Toy
Story, way back in 1995. In 2015, they’ve already released Inside
Out, and by the end of the year, they will have also released The
Good Dinosaur, which will mark the first time they’ve released two features in
the same year.
Along
the way, they’ve racked up 26 Academy Awards, five Golden
Globes, and three Grammys. And every single one of their animated
features has been an out-of-the-park, grand-slam home run of a hit.
All of them.
They’ve collectively grossed nearly $9 billion dollars so far.
With a “B.”
Who
does
that? Nobody. Not ever, unless you’re named Pixar. Somehow,
they have art down to a science.
So
you should not be surprised to learn, then, that their latest
experiment, Inside Out,
is also brilliant. And part of its brilliance is its ability to
appeal to kids and adults simultaneously, but on very different
levels.
Sure,
there’s a lot of funny stuff going on, and the animation is
certainly wonderful throughout. But the subject matter isn’t
really geared at youngsters, although they will, no doubt, enjoy it
just the same.
The
film cleverly gives us a peek inside a human being’s head, and
allows us to see why a person responds in a given situation as they
do. It seems there is a command center, of sorts, with a rather
elaborate system of managing short and long term memories, and where
a team of emotions compels the person to respond to, well,
everything.
Joy,
Anger, Sadness, Fear, and Disgust have ongoing debates over how the
person should react, and they invoke certain memories to justify
their positions.
In
the case of our story, our heroine is an 11-year-old girl named Riley
(Kaitlyn Dias), and she is moving to San Francisco from Minnesota
with her mom and dad, because he’s starting a new company.
This
is a tough move for Riley, whose whole life is back in Minnesota with
her old school, all her friends, and her passion, hockey.
As
Riley tries to adjust and fit in to her new surroundings, we see all
the conflict that ensues in her own head, as well as the occasional
peek into her parents’ heads, as well.
For
Riley, Joy (Amy Poehler) has been, up to this point in her life, very
much in charge of how things go down at headquarters. Although there
is regular disagreement amongst the other emotions, Joy typically
keeps things under control to ensure that Riley is always happy.
But
as she transitions toward teenagedom, hormones and circumstance and
change collide in ways she’s never had to deal with, and Joy’s
control begins to spin wildly out of control.
Until
now, Joy has kept Sadness (Phyllis Smith) mostly out of the way and
doesn’t let her touch any of the core memories that help make
Riley who she is. But when Sadness does touch one at a critical
moment, things start unravelling quickly.
It
is a bit difficult to explain much without explaining too much, but
it’s worth the hour and a half to find out for yourself just
how insightful and thoughtful Inside Out really is, all while
being full of fun, as well.
I
think one of the things that struck me was that this was a great
starting point for having a conversation with your kids about the
misconception that all kids (and many adults) have that life is all
about being happy all the time, and avoiding sadness and
disappointment like the plague.
The
fact is, what makes joy so blissful is that it is always tempered
with sadness. One provides perspective for the other.
And
while our natural tendency is to seek after things that make us
happy, sadness and disappointment are also part of nature’s
plan. It reminds us of the reality that there is opposition in all
things, and that simply trying to avoid sadness is impossible and,
ultimately, undesirable.
In
fact, most of our lives (and therefore most of our memories) are
rather messy amalgamations of good times and bad, joy and sadness,
peace and anxiety, all mixed up in the blender of mortality.
So
whether or not the trailer for Inside Out
made you feel like you needed to rush right out and watch it,
statistically speaking, it’s pretty much guaranteed to be well
worth your time. Plus, it’s beautiful, and very funny, and the
whole family should find something (probably somethings) to really
enjoy.
And,
for most of us, seeing what those little voices inside our heads look
like is both amusing and revelatory, as we confront the whimsical
reality of the constant struggle we have to keep our emotions in
check, even as we hope for the best but slog through the worst.
It
reminded me, too, of how different my perception as a parent may
often be from my children’s. I’m still surprised
sometimes by the things my kids remember and cherish from our
collective familial experiences that seemed to me, at the time, as
disasters or disappointments.
They
love things that didn’t work as planned, they reminisce about
ruined events, and they laugh about things that often involved
somebody crying. Life isn’t neat and tidy, emotionally
speaking. It’s a mess of memories and feelings that make us who
we are, individually and collectively.
So
sure, Inside Out
is just a cartoon. But the truth has a way of showing up in the
strangest of places, maybe even in the little voices inside your
head.
Andy Lindsay can frequently be overheard engaged in conversations that consist entirely of repeating lines of dialogue from movies, a genetic disorder he has passed on to his four children and one which his wife tolerates but rarely understands. When Andy's not watching a movie he's probably talking about a movie or thinking about a movie.
Or, because his family likes to eat on a somewhat regular basis, he just might be working on producing a TV commercial or a documentary or a corporate video or a short film. His production company is Barking Shark Creative, and you can check out his work here www.barkingshark.com.
Andy grew up in Frederick, Maryland, but migrated south to North Carolina where he met his wife, Deborah, who wasn't his wife then but later agreed to take the job. Their children were all born and raised in Greensboro, but are in various stages of growing up and running away.
Andy (or Anziano Lindsay, as he was known then) served a full-time mission for the Church in Italy, and today he teaches Sunday School, works with the Scouts, and is the Stake Video Historian.