The Christmas Miracle of Jonathan Toomey: A Well-Sculpted Film
by Andrew E. Lindsay
If
you’ve got children or are just a fan of children’s
books, you may already be familiar with The
Christmas Miracle of Jonathan Toomey
by Susan Wojciechowski and illustrated by P. J. Lynch. (1995). In
2007, it was made into a feature-length film starring Tom Berenger
and Joely Richardson, and it has become one of my favorites about
this time of year. Written and directed by Bill Clark, The
Christmas Miracle of Jonathan Toomey
is a faithful adaptation of the beloved story, and the cinematography
reflects the beautiful, warm paintings from the book, as well.
Jonathan
Toomey is a reclusive woodcarver with a dour disposition who says
little and has revealed even less about his past. The local children
call him “Gloomy Toomey,” and the adults simply avoid
him. Thomas McDowell is a young boy whose life has been shattered by
the sudden loss of his father. His widowed mother is forced to sell
their very nice home in the city, and she and Thomas move in with
relatives in the country. There, they both learn to adjust to the
demands of farming and daily domestic chores while coping with the
loss of Thomas’ father.
In
the move, Thomas’ prized possession, a hand-carved wooden
nativity set that he always set up with his father, is lost. Thomas
is devastated, but his mother determines to commission Mr. Toomey to
carve a new creche to replace it. Toomey reluctantly agrees, and so
begins the unlikely journey of three wounded, lonely people. Over the
ensuing months, the Widow McDowell gradually convinces Jonathan
Toomey to allow Thomas to sit and watch him carve the figures.
Hopeful that they will be completed by Christmas, queries from the
widow are simply met with, “they
will be ready when they are ready.”
Much
like the art of woodcarving itself, this movie is slow and careful in
its pace, each scene deliberate and well thought out. It does not
plod, but rather moves with purpose. Its symbolism is also simple and
sweet. Toomey has no use for Christmas and the painful memories it
conjures. He prefers the company of his carvings to human
companionship, working the wood until it reveals its true inner
beauty. Ironically, the central piece he has been commissioned to
carve is of a baby who would grow to be a carpenter himself, but who
would also work deftly with men and women to turn them into something
more glorious than they were in their natural state.
The
Christmas Miracle of Jonathan Toomey is
a gentle film that families can enjoy together, and a moving reminder
of the tender mercies of a loving Father in Heaven who loved His
children so much that He gave His Only Begotten Son. Christmas is a
bookmark, of sorts, a place we return to to remember a special moment
in time, the moment when the hope of a weary, broken world was born.
The
Christmas Miracle of Jonathan Toomey
is a reminder, too, that the baby born so long ago, who grew to
manhood working with wood, would one day be hung on a cross of wood
to satisfy the demands of justice, and that His suffering was sacred
schooling to know how to succor and sustain us through the painful
trials of life.
The
Christmas Miracle of Jonathan Toomey is
a story of hope and redemption, of broken lives mended and faith
restored, and that is a story worth telling.
Andy Lindsay can frequently be overheard engaged in conversations that consist entirely of repeating lines of dialogue from movies, a genetic disorder he has passed on to his four children and one which his wife tolerates but rarely understands. When Andy's not watching a movie he's probably talking about a movie or thinking about a movie.
Or, because his family likes to eat on a somewhat regular basis, he just might be working on producing a TV commercial or a documentary or a corporate video or a short film. His production company is Barking Shark Creative, and you can check out his work here www.barkingshark.com.
Andy grew up in Frederick, Maryland, but migrated south to North Carolina where he met his wife, Deborah, who wasn't his wife then but later agreed to take the job. Their children were all born and raised in Greensboro, but are in various stages of growing up and running away.
Andy (or Anziano Lindsay, as he was known then) served a full-time mission for the Church in Italy, and today he teaches Sunday School, works with the Scouts, and is the Stake Video Historian.