One
of Pieter Bruegel’s most famous paintings is Peasant
Wedding, which he painted about 1567. It is in every Bruegel book
and is the cover illustration for a handy one, Breugel, the
Complete Paintings written by Rose-Marie and Rainer Hagen and
published in Cologne, Germany in 2000.
I
have always liked Bruegel and have seen this painting several times
in the great Kunsthistorisches museum in Vienna. But I bring
it to the fore now because I want to write about the most dramatic
church dinner ever.
Here’s the painting:
Now
imagine that this is a ward dinner party way back in the days before
Salt Lake headquarters put a stringent clamp upon how much a
congregation could spend on conviviality.
Pay
particular attention to the two men on the right carrying food.
Imagine if those handles went the length of the platform instead of
crosswise and were carried on the shoulder of the men.
Back
in the days when The Church of Jesus Christ of Latter-day Saints had
a separate program for adult men holding the Aaronic Priesthood, I
was counselor to the group leader, dear friend John Baker, and the
teacher and the activities guru. I had a connection with several
suppliers in the gift foods business and procured a small
suckling pig, which I roasted on a barbeque spit for a small party of
about 10 men and their wives.
Somehow
the word spread about my guruness, and I was asked to mastermind the
Potomac Ward Christmas party.
Now
what can be more festive and fun than an old English Christmas bash?
Of course, for church we had to skip the mead.
Every
December I try to read Thomas Hardy’s first novel, Under the
Greenwood Tree, which is set in some English Wessex villages in
about 1850. I don’t care a fig anymore for the plot, but I
relish the descriptions of what goes on among those simple villagers
as they carry out their traditional Christmas activities, faced with
the modernizing reality that their little musical group is going to
be replaced for worship by a new church organ.
The
little group goes from place to place playing and singing the
traditional carols.
For
a big ward Christmas bash I was smart enough to leave decorating the
building and rec hall and Santa stuff to steadier hands. The food and
the kitchen — that was all in my purview. I did delegate the
vegetables to a brother who fancied himself a misplaced chef.
To
finish a great English banquet, one must have the most glorious of
English desserts, homemade figgy pudding.
My
wife has a traditional Daniel Wells family recipe for fig puddings
handed down by generations. It certainly came via Great Aunt Edna,
not Betty Crocker.
But
it’s a killer.
Indescribably
delicious — but virtually verboten in these days of worries
about cholesterol.
Because
fig pudding must be made in advance, Frances recruited a bevy of
Relief Society sisters, gave them recipes, and taught them how to
make the pudding and its sauce.
Besides
lots of ground-up dried figs and lots of eggs, the key ingredient is
ground up suet.
Not
lard. Suet.
Go
ahead, nowadays. Try to buy a pound or two of suet. If you have a
genuine local butcher, he can cut the fat off a carcass he’s
caressing. But more and more, meat arrives in the supermarkets and
big-box stores already cut and packaged. There is no suet to buy. (Of
course, you can always purchase a lot of super-duper steaks and do
some trimming.)
In
some places the butcher is not allowed to sell suet for human
consumption. But if you lie a bit, you might be able to get some if
you say it’s for bird feed.
Frances
says she has substituted butter for suet.
If
you’d like the recipe, she’d be happy to email it to you.
But
to get back to the heart, if not the soul, of the dinner. There was
no way I could spit-cook enough tiny pigs to feed a big ward and
guests. But people had heard the story of the Aaronic
Priesthood-adult party. There was a yearning for suckling pig. Or at
least I said there was.
Good
luck Number One: a good brother had distant relatives who ran a farm
in southern Pennsylvania. He called them. Yes, they could supply us
with two young pigs, dressed. But I had to drive to the farm to get
them.
There
was no way I could spit a large post-suckling pig. Nor did I want the
responsibility. The chance to ruin a big ward party.
Good
luck Number Two: It helps to have Marriotts and Marriott officials in
the ward. Back in those days, Marriot had not yet gone heavy into the
hotel business. The firm was famous for its Hot Shoppes restaurants,
which permeated metropolitan Washington.
The
Hot Shoppes would roast and deliver our two pigs, no charge.
So
off I went, to Pennsylvania to retrieve a couple of dressed pigs in
my Lancia sports sedan (the worst thing I ever bought). I put the
pigs on their backs in the back seat, but with their feet stretched
out fore and aft, they were too long for the seat, and I had to place
them with their feet sticking out the window. A bizarre sight.
As
I drove back home on Interstate 70, a number of cars passed me, did
doubletakes on the feet, slowed down so much I had to pass them, and
then they speed up to be equal to me and get another look. I will
never forget the two men who gawked, grinned, and then gave me big
thumbs up.
Maybe
they thought I’d shot them myself. Maybe they thought all those
hooves were deer feet.
Presentation
is a part of taste.
I
asked friend Hal Jewel to build me a couple of parading platforms,
sort of like sedan chairs without the chairs. See that Breugel
painting. My two pig platforms were built with extended arms so that
each platform could be carried on the shoulders of two footmen. I
dressed the footmen in bright red aprons. I don’t remember if I
fitted them out with bright red Christmas hats.
The
two roasted pigs arrived, fitted with bright red apples in their
mouths and candied red cherries in their eyes.
Accompanied
with appropriate music, the footmen paraded the planked pigs all over
the gaily decorated festive hall.
I
must admit that there may have been two or three older sisters who
recoiled at the piggy sight, but aside from them, there were huzzahs
everywhere.
The
whole pigs on their platters were deposited on the banquet tables to
be carved on site. And, oh, they were delectable to smell and
delicious to taste.
One
of the pigs came to me to carve. I had carved the little suckling
pigs before. This was a lot bigger.
The
other pig was destined to be simultaneously carved next to me by Dr.
Bob Smith, a surgeon.
I
have never, ever seen such delicate and precise carving of anything!
By
legend, this became the greatest church Christmas dinner ever. One
that never will be repeated.
I
am still amazed and how Dr. Bob took that pig apart, a show as
precise as the Cirque de Soleil.
I
don’t know if I dare tell you that in medical practice, Dr.
Robert Smith was an acclaimed proctologist.
Lawrence Jeppson is an art consultant, organizer and curator of art exhibitions, writer, editor
and publisher, lecturer, art historian, and appraiser. He is America's leading authority on
modern, handwoven French tapestries. He is expert on the works of William Henry Clapp, Nat
Leeb, Tsing-fang Chen, and several French artists.
He is founding president of the non-profit Mathieu Matégot Foundation for Contemporary
Tapestry, whose purview encompasses all 20th-century tapestry, an interest that traces back to
1948. For many years he represented the Association des Peintres-Cartonniers de Tapisserie and
Arelis in America.
Through the Smithsonian Institution Traveling Exhibition Service, the American Federation of
Arts, the Museum of Modern Art, and his own Art Circuit Services he has been a contributor to
or organizer of more than 200 art exhibitions in the United States, Canada, Japan, and Taiwan.
He owns AcroEditions, which publishes and/or distributes multiple-original art. He was co-founder and artistic director of Collectors' Investment Fund.
He is the director of the Spring Arts Foundation; Utah Cultural Arts Foundation, and the Fine
Arts Legacy Foundation
Lawrence is an early-in-the-month home teacher, whose beat is by elevator. In addition, he has spent the past six years hosting and promoting reunions of the missionaries who served in the French Mission (France, Belgium, and Switzerland) during the decade after WWII.