The
Tabernacle Choir and Orchestra at Temple Square continue the
tradition of releasing last year’s Christmas concert on DVD and
CD in time for this year’s giving.
The
release of 2011’s Once
Upon a Christmas,
featuring the engaging voice of English actress Jane Seymour and the
powerful baritone of Nathan Gunn, comes with a couple of bonuses:
Seymour’s lyrical reading of “Good King Wenceslas”
as a separate track on the album, and an illustrated book with both
the printed story and a DVD of Seymour’s reading it (Deseret
Book, DVD $24.98, CD $18.98, book $21.99).
The
music spans the centuries, from the 1328 “In Dulci Jubilo”
and selections from Bach’s Christmas Oratorio to 1931’s
“Winter Wonderland” and 1942’s “’Twas
the Night Before Christmas.” Selections range from Gunn’s
operatic solos and lighthearted “’Twas the Night Before
Christmas to the traditional “Angels, from the Realms of
Glory,” done up in grand form with full choir and orchestra.
Seymour also lends her voice to the Biblical Christmas story.
The
DVD adds visual interest with full concert setting, dancers, and
close-ups, and the book – written by David T. Warner and
colorfully illustrated by Omar Rayyan – can be read to
Seymour’s voice on the included CD. There’s a generous 81
minutes for the DVD and more than 71 minutes on the CD’s 15
tracks.
Aficionados
of Handel’s Messiah
will
appreciate its “back story” skillfully told by playwright
and theater professor Tim Slover in another book with CD combo,
Messiah:
The Little-Known Story of Handel’s Beloved Oratorio
(Silverleaf Press, $19.99).
As
one who sang Messiah
every December for nearly three decades, I enjoy such insights into
this timeless and meaningful work. The 72 small pages are a relative
quick read. A real bonus is a digitally re-mastered CD of the
Tabernacle Choir’s 1995 recording of Messiah,
with Sir David Willcocks conducting.
Slover
draws the reader in with a present-tense anticipation of the
oratorio’s London debut at Covent Garden in 1743, then
backtracks to tell the story of not just the composer but also some
other key players in its history, notably Susanna Cibber, a “fallen”
woman whose disgrace was overcome by her contralto solos when Messiah
premiered in Ireland and London.
Slover’s
story of redemption premiered a few years ago on the BYU stage as
Joyful
Noise
and re-appears here in altered form, but the historical research
behind both is substantial. (The book/CD combo is available at half
the cover price in discount stores, making it a great deal.)
Jenny
Oaks Baker’s Noel:
Carols of Christmas Past
(Shadow Mountain) is a comparatively lightweight offering with a
scant 10 selections running less than 45 minutes — a little
disappointing considering the $16.98 price tag.
Arranged
by Kurt Bestor, the music is reminiscent of (and sometimes borrowed
directly from) selections on his own albums that have been around for
a couple of decades now. It’s kind of an uneven collection as
well. The Celtic instrumentation may appeal to some, but “Patapan”
is my least favorite piece here.
There’s
a lyrical “In the Bleak Midwinter” for piano/violin, a
rollicking “Ding Dong Merrily on High,” a hauntingly
lovely “Wexford Carol” featuring Jenny Frogley’s
vocals, and an ebullient, fully-orchestrated “Carol of the
Bells” as the album’s finale.
For
timeless appeal, though, I think I’ll opt to stick with my old,
original Airus Christmas and Mannheim Steamroller albums while I’m
decorating the tree.
Who
could argue that President Thomas S. Monson is a good storyteller?
You can almost hear his voice in The
Christmas Train (Shadow
Mountain, $18.99 in hardcover), a true story.
Against
the backdrop of Dan Burr’s full-page illustrations, President
Monson tells about the electric train he got for Christmas, the
wind-up train his mother got for the boy down the street, and an
important lesson he learned about giving.
Other
people who are smarter than I am can follow along and actually hear
President Monson read the story in his own voice when they purchase
The
Christmas Train
from the App store ($4.99); kids are sure to enjoy the sound effects
and interactive animations.
Laurie
Williams Sowby has been writing since second grade and getting paid
for it since high school. Her byline ("all three names, please")
has appeared on more than 6,000 freelance articles published in
newspapers, magazines, and online.
A
graduate of BYU and a writing instructor at Utah Valley University
for many years, she proudly claims all five children and their
spouses as college grads.
She
and husband, Steve, have served three full-time missions together,
beginning in 2005 in Chile, followed by Washington D.C. South, then
Washington D.C. North, both times as young adult Institute teachers.
They are currently serving in the New York Office of Public and
International Affairs
During
her years of missionary service, Laurie has continued to write about
significant Church events, including the rededication of the Santiago
Temple by President Hinckley and the groundbreaking for the
Philadelphia Temple by President Eyring. She also was a Church
Service Missionary, working as a news editor at Church Magazines,
between full-time missions.
Laurie
has traveled to all 50 states and at least 45 countries (so far).
While home is American Fork, Utah, Lincoln Center and the
Metropolitan Museum of Art have provided a comfortable second home.
Laurie
is currently serving a fourth full-time mission with her husband in
the New York Office of Public and International Affairs. The two
previously served with a branch presidency at the Provo Missionary
Training Center. The oldest of 18 grandchildren have been called to
serve missions in New Hampshire and Brisbane, Australia.