This
month our ward book group discussed a book about a 14-year-old boy
from Malawi who brought electricity to his African village by
building a windmill.
The
Boy Who Harnessed the Wind
did not dream of fame and fortune when he built his windmill,
however. Originally, all he wanted was some way he could listen to
his reggae music on the radio without having to rely on batteries
that kept running out and causing the music to die.
From
that simple dream, bigger dreams were born. Young William Kamkwamba
next decided he was tired of going to sleep when the sun went down.
He thought it might be nice if he could have a little light in his
bedroom so he could read when he was lying in bed after the sun
disappeared for the night.
It
didn’t immediately occur to him that he didn’t even have
to be in bed after the sun went down. After all, going in bed when
it got dark was what people had done since the dawning of man. He
just wanted to listen to the radio in bed and, later, read in bed.
Was that so much to ask?
So
William and his trusty sidekick, Geoffrey, scoured the village for
parts they could use to build a windmill like the one in a library
book that showed him how to harness the wind. They took apart
defunct bicycles and radios, and they went to abandoned factories.
William had a knack for seeing new uses for old materials.
He
even dug up sewage pipes, washed off the slime, and used them in his
contraption. Some of the sewage pipes were still being used, but
progress usually requires a little bit of sacrifice. That was the
length he would go for his beloved reggae music.
The
people of the village laughed. That is what people do when they do
not understand genius. William’s own family laughed. Even
they did not understand him, especially when he pirated pieces of
their home to use in his ever-growing windmill.
But
when the blades of his windmill started to turn and music started
coming from William’s battery-less radio, people stopped
laughing. And when William’s windmill brought a tiny light to
life, dimly illuminating his bedroom, people started lining up to see
the miracle that 14-year-old William had wrought.
Dreams
may start small, but they have a way of growing and taking over the
world. Soon William’s family realized that if he could lie in
bed at night and read by the light made from his windmill, they could
too. In fact, if they had light after sundown, they didn’t
have to lie in bed at all.
Here
is a passage from the book:
Not
long after I’d completed this wiring, I walked into the living
room one night and found my family sitting around, listening to the
radio. My mother sat on the floor in the corner, crocheting a
beautiful orange tablecloth. My father and sisters just stared
ahead, lost in the news program on Radio One. I pretended to be one
of the reporters on the radio, barging in with my microphone.
“I’m
now standing in the living room of the Honorable Papa Kam-kwamba,”
I said, in a deep, serious voice. “Mister Kamkwamba, this room
used to be so dark and sad at this hour. Now look at you, enjoying
electricity like a city person.”
“Oh,”
said my father, smiling. “Enjoying it more than a city
person.”
“You
mean because there’s no blackouts and you owe ESCOM
nothing?”
“Well, yes,” said my father. “But
also, because my own son made it.”
That
is a secret shared by people who make things. Things that are
created by the people who use them bring a whole lot more
satisfaction to the user than things that are thoughtlessly
purchased.
That
homemade loaf of bread is infinitely more satisfying, not to say a
whole lot healthier, than a loaf of Wonder Bread from the
supermarket. The chair that was lovingly carved and planed by hand
brings a lot more joy to the user than something that was carelessly
brought home from the store.
If
you aren’t a maker yourself, the next best thing is to earn the
money to pay for it rather than plopping down a credit card to do so.
It may be a fine distinction, but if you have scrimped and saved for
months to buy that nightstand, it will mean a lot more to you than if
you just went out and bought it on credit. Earning the money to buy
a wished-for object is the modern equivalent of making it yourself.
But
I digress. When we met for book group, the person leading the group
quoted William as he later told the story of building a windmill to a
worldwide audience. William said, “After I drop out from
school, I went to library … and I get information about
windmill … and I try, and I made it.”
(How’s
that for describing a project that eventually brought electricity to
an entire village? The boy had a genius for understatement.)
The
bottom line was worthy of thought, however. The kid looked at a
windmill and decided that if he tried to make one he could do it. He
tried, and he was successful. The lesson he learned? “If you
want to make it, all you have to do is try.”
How
often do we look at something and think of it as insurmountable?
Fluffy recently fixed our trusty clothes dryer using a $21 fuse and a
video he found on YouTube. Although he had never fixed a dryer
before, he said it was not that difficult when he had the
instructions to follow. But often we sigh and say to ourselves, “If
only.” Then we sit back on the sofa, pick up the remote
control, and turn on the television.
Our
dreams are worth more than that, however. If we follow through on
our dreams, we can build windmills. Those windmills can bring a
little music to our lives or, if we stretch our dreams a little
further, they can light up an entire village.
It
may be easier to sit back and have things done for us, but it is a
whole lot more rewarding to take our dreams by the horns and turn
them into reality.
If
we fail, at least we’ll have the consolation of knowing we gave
it our all. And if we succeed, we may eventually be able to hear
music or read a book after sundown. Or, as William Kamkwamba did, we
may even be able to change the world.
Kathryn H. Kidd has been writing fiction, nonfiction, and "anything for money" longer than
most of her readers have even been alive. She has something to say on every topic, and the
possibility that her opinions may be dead wrong has never stopped her from expressing them at
every opportunity.
A native of New Orleans, Kathy grew up in Mandeville, Louisiana. She attended Brigham
Young University as a generic Protestant, having left the Episcopal Church when she was eight
because that church didn't believe what she did. She joined The Church of Jesus Christ of
Latter-day Saints as a BYU junior, finally overcoming her natural stubbornness because she
wanted a patriarchal blessing and couldn't get one unless she was a member of the Church. She
was baptized on a Saturday and received her patriarchal blessing two days later.
She married Clark L. Kidd, who appears in her columns as "Fluffy," more than thirty-five
years ago. They are the authors of numerous LDS-related books, the most popular of which is A
Convert's Guide to Mormon Life.
A former managing editor for Meridian Magazine, Kathy moderated a weekly column ("Circle of Sisters") for Meridian until she was derailed by illness in December of 2012. However, her biggest claim to fame is that she co-authored
Lovelock with Orson Scott Card. Lovelock has been translated into Spanish and Polish, which
would be a little more gratifying than it actually is if Kathy had been referred to by her real name
and not "Kathryn Kerr" on the cover of the Polish version.
Kathy has her own website, www.planetkathy.com, where she hopes to get back to writing a weekday blog once she recovers from being dysfunctional. Her entries recount her adventures and misadventures with Fluffy, who heroically
allows himself to be used as fodder for her columns at every possible opportunity.
Kathy spent seven years as a teacher of the Young Women in her ward, until she was recently released. She has not yet gotten used to interacting with the adults, and suspects it may take another seven years. A long-time home teacher with her husband, Clark, they have home taught the same family since 1988. The two of them have been temple workers since 1995, serving in the Washington D.C. Temple.