"We seldom get into trouble when we speak softly. It is only when we raise our voices that the sparks fly and tiny molehills become great mountains of contention."
Women deserve honesty: Don't act like the TV singles
by Orson Scott Card
The TV series Sex and the City was one of the best written and best acted shows in the history of
television.
It was also a moral nightmare. The writers thought they were merely reflecting the world of
unmarried women as they found it, but in fact they were spreading throughout America the
attitudes and practices of a narrow slice of well-to-do, non-church-going singles in New York
City.
It showed a culture in which "dating" meant "having sex," and "engaged" meant "living
together." It is hard to imagine a moral climate more different from what we expect of single
Saints.
Yet there is a generation of single women in the Church who came of age with Sex and the City
looking over their shoulder, and those who are still single heading into their thirties face most of
the same frustrations and dilemmas as the women of that TV show.
Because, oddly enough, however deplorable Sex and the City might have been -- both as
messenger and sower of a society in moral collapse -- it contained in it the seeds of a revival of
the older morality. You know -- the one we have been trying to hard not to lose.
That's because our moral standards aren't an arbitrary edict from a deity who just wants to make
life harder and less fun. The opposite is true: God gives us moral standards because, in and of
themselves, they work to make a better society and better lives for everyone who follows them.
So it stands to reason that rational, observant, compassionate people -- even in the midst of
corruption -- are going to discover moral rules all over again.
Sex and the City was written by single women who were living the life they wrote about; they
also brought in the occasional male writer as a consultant, to make sure the men depicted in the
show were not just the wish-fulfilment -- or the nightmares -- of the women writers.
So, as they often did, the writers were sitting around commiserating with the one who was going
through torment over a man that day. He hadn't called when he said he would, or he was having
"intimacy issues," or one of the other standard complaints.
And Greg Behrendt, the male consultant, spoke up and said, "The situation's perfectly clear.
He's just not that into you."
It was as if somebody had flashed on a light in a dark room. As Behrendt explained, "Guys who
are in love with a woman don't act like this. He just doesn't want to say it outright; maybe he
doesn't even know it himself. But if he loved you or even cared about you, he'd never act like
this."
But guys aren't all the same, Greg, they answered him. You can't speak for all of them.
"Oh yes I can," he said. "We're all different, but when a guy acts like the one you're talking
about, one thing is certain: He's just not that into you."
The result was a book by that title: He's Just Not That Into You, written by Behrendt and one of
the staff writers from the show, Liz Tuccillo.
The book is indecorous by LDS standards (but quite mild compared with the show they both
wrote for). There are a few bad words, and the writers take for granted the moral universe of Sex
and the City -- which, partly as a result of the show's popularity, is now the reality for most
urban singles in America.
But the book is a useful handbook for single women to interpret the meaning of the words and
actions of the men in their lives.
Not surprisingly, it's also a wakeup call for single men, telling them: When you act like this,
you are being dishonest and cruel, and the women you pretend are your "friends" are going
through needless suffering and wasting years of their lives because of you.
Because, men, you can't seem to tell the truth; and, when you do, you can't follow through with
it.
I say "you" to these men because I'm not single any more. But when I was, I was as bad as any
of you -- despite the best intentions in the world.
Here's a partial list of these crimes of the heart:
Not calling when you said you would.
Making excuses for why you haven't been attentive, instead of telling the truth, that you're not
really interested in her.
Exploiting her for companionship, while tying her up so that she doesn't feel free to pursue a
man who might actually want to marry her.
Breaking up with her and yet still hanging around, giving her hope that you will get back
together when in fact you are merely lonely and using her till you find somebody better.
Or, the worst sin of all, breaking up with her without telling her. You just disappear. Why?
Cowardice, of course. As Neil Sedaka said, Breaking up is hard to do.
I know -- I've been that creep. I had my reasons at the time -- and it wasn't fear of the woman
or even of confrontation, it was fear of myself, and I knew I was being a complete jerk. I still
feel bad about the way I did it.
Breaking up was the right thing to do, and cutting off communication was the only way I knew I
would succeed in doing something so contrary to my desires at the time.
But that's a subject for another time. Let's just say that I vouch for Greg Behrendt's judgment,
even when it condemns my own past behavior.
The book is candid, witty, useful, and wise -- and because I listened to the authors read their
words aloud on CD, I got the sense that they really mean what they say.
They care about the women who waste their lives on unready or unworthy men, and they're
impatient with the men who wander in and out of women's lives so pointlessly -- and selfishly.
Here's the message of the book, and it's a good one:
Tell the truth. Do it kindly, but do it. "I don't see this turning into any kind of longterm
relationship, and I'm not going to waste your time or mine, when we ought to be finding
someone else."
You might preface it with something decent and polite: "You're attractive and admirable.
You're exactly the kind of woman I want to want to marry. But I'm not actually interested in
marrying you, for reasons I don't understand and won't try to explain."
After you realize it yourself, the sooner you say it the better. And then get out of her life. Don't
hang out with her. Even if you think she's "over you," she's not. There you are, a constant
reminder that you didn't want her.
Don't send her little presents. Don't call her up and chat. Don't ask her for favors. Because
that's what a guy who's courting a woman would do, and you're not that guy. Stay broken up.
Go away.
O ye single men of Zion, if you read this book you will have a good set of guidelines for
interpreting your own feelings and behavior.
If you find that you don't think of her at all for days on end, you're just not that into her.
If you only think of her when you need something, instead of thinking of how to make her happy
all the time, you are so not in love.
What it comes down to is this: Be honest and fair. Don't take, when you don't intend to give
more than you receive. Don't use up a woman's youth when you don't plan to be there for her
old age.
By the end of the book, Behrendt is flatly admitting that he's advocating old-fashioned morality.
He never quite gets to the point of saying that it's bad to sleep with women you're not married
to. But he says everything else.
If it takes a writer from Sex and the City to tell Mormons what single women have a right to
expect from decent single men, so be it. Let's just make sure we listen.
Orson Scott Card is the author of the novels Ender's Game, Ender's
Shadow, and Speaker for the Dead, which are widely read by adults and
younger readers, and are increasingly used in schools.
Besides these and other science fiction novels, Card writes contemporary
fantasy (Magic Street,Enchantment,Lost Boys), biblical novels (Stone Tables,Rachel and Leah), the American frontier fantasy series The Tales of Alvin Maker
(beginning with Seventh Son), poetry (An Open Book), and many plays and
scripts.
Card was born in Washington and grew up in California, Arizona, and
Utah. He served a mission for the LDS Church in Brazil in the early 1970s.
Besides his writing, he teaches occasional classes and workshops and directs
plays. He also teaches writing and literature at Southern Virginia University.
Card currently lives in Greensboro, North Carolina, with his wife,
Kristine Allen Card, and their youngest child, Zina Margaret.